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USB Flash Drive
The complete release is presented on a limited-edition wooden USB flash drive and includes the recordings SWEEPING THE GROUND IN THE PRESENCE OF THE IMPOSSIBLE (WAV): Sweeping the ground I (36:40), Sweeping the ground II (15:20) / SWEEPING THE GROUND WHEN IN DOUBT (WAV) (51:55) / POSTCARDS I (WAV): Dark rain (4:20), It's always the piece (3:44), Dreamer (4:00), Dog poop (0:27), The last hymn stays in your head all day (1:18), 15 Devils (5:50) / POSTCARDS II (WAV): Postcard 3 (3:50), Postcard 4 (4:22), Postcard 5 (5:20), Postcard 6 (2:45), Postcard 7 (3:30) / the short film THE DUST WE HAVE BECOME (MP4) (5:47) / the scores SWEEPING THE GROUND score (PDF) / SWEEPING THE GROUND AND THE GHOSTS OF PAINTING score (PDF) / and the CREDITS (PDF).
THIS DIGITAL RELEASE INCLUDES ONLY SWEEPING THE GROUND: POSTCARDS I AND POSTCARDS II.
In early 2018, I sent Gil Sansón some photographs of the inside of my art studio, which is a crazy mess, but also emblematic of how I work. I had previously talked to Gil about how, before Zen meditation, I methodically swept the floor of my bedroom before laying out the zafu cushion.
My bedroom is tidy. My studio is an incredible mess. A nice balance.
I had also been recording in my studio with Dan Godlovitch, a local friend and collaborator. He was using an empty Elektron Octatrack sampler, and I supplied all the noise, voices, and other sounds for him to grab and throw back at me in response.
One evening Dan made an interesting comment that stuck with me. ”It's like being inside a major score working in here, dancing around all your paints and cans of water and ancient brushes while trying not to spill anything on the electronics”.
The studio began to function as a score.
Dan and I were inside the score looking out, and Gil was outside the score looking in from Caracas, Venezuela.
The counterbalance of the sweeping/not sweeping really interested me. I expected Gil to reinterpret my score suggestions, or even throw them out totally, but instead there has been an unexpected meshing of our unique views and approaches.
Gil may have a completely different view on how this came about and was realized, but that is the beauty of collaborating this way.
- Lance Austin Olsen
There's a sense of artistic kinship that's the key that ultimately opens all the doors, with complete trust and faith in what each of us is doing.
We simply don't explain anything to the other.
We just get on with it.
—Gil Sansón
credits
released September 2, 2020
Sweeping the Ground in the Presence of the Impossible
Compositions by Lance Austin Olsen and Dan Godlovitch
1. Sweeping the ground I
Dan Godlovitch: Elektron Octatrack sampler
Lance Austin Olsen: amplified objects, found tapes, guitar, and voice fragments
2. Sweeping the ground II
Erin Cunes: voice
Dan Godlovitch: Elektron Octatrack sampler, acoustic guitar
Lance Austin Olsen: amplified objects, found tapes, guitar, and voice fragments
Sweeping the Ground When in Doubt
Composition by Gil Sansón
Daniel Brandes: piano
Gil Sansón: all other sounds
Postcards I
Compositions by Lance Austin Olsen and Dan Godlovitch
1. Dark Rain
Erin Cunes: voice
Dan Godlovitch: Elektron Octatrack sampler
Lance Austin Olsen: amplified objects, guitar, and voice
2. It’s Always the Piece
Erin Cunes: voice
Dan Godlovitch: acoustic guitar
Lance Austin Olsen: voice
Gil Sansón: amplified objects
3. Dreamer
Dan Godlovitch: Elektron Octatrack sampler
Lance Austin Olsen: amplified objects
4. Dog Poop
Lance Austin Olsen: voice
Charlotte: voice
5. The Last Hymn Stays in Your Head all Day
Erin Cunes: voice
Dan Godlovitch: Elektron Octatrack sampler
Lance Austin Olsen: amplified objects and voice
6. 15 Devils
Erin Cunes: voice
Dan Godlovitch: Elektron Octatrack sampler
Lance Austin Olsen: amplified objects, field recordings, guitar, and voice
All sounds by Gil Sansón
Postcard 6 includes a quotation of Op. 6 by Anton Webern played by Gil Sansón
The Dust We Have Become
Edited by Lance Austin Olsen
Soundtrack by Lance Austin Olsen and Gil Sansón
Loss of sound
Paper cups
A thought of rock
A feel of silk
A sound of barley rattles forth
Don’t think that these few things remain alone
Brief mind
A final float to see the sun
And feel the dirt
And sound
And stone
And peat
And dogs
Return to universal mist
Mastered by Gil Sansón
Released 2020
This is Suppedaneum no. 21
supported by 4 fans who also own “SWEEPING THE GROUND: Postcards”
This goes crazy. Never heard something like this. What an experience and definitely opened and inspired my creative eyes, ears, body, and soul abstractshine
Woozy electronic music gets gilded with silvery guitars on the latest from the forward-thinking Illuminated Paths label. Bandcamp New & Notable May 6, 2019